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Over the past decade, scenography has been a fundamental part of FELT’s design practice. Understood here as exhibition designs, this type of commission has been a space of particular importance to try out and refine design ideas; where architectural scale meets the levity of smaller-scale design. At about one scenography per year, they have informed the breadth of FELT’s work, ranging from furniture design to representative urban architecture. 

This book features ten scenographies by FELT, evoking their visitor’s experience at the time. Interwoven are reflections on scenography within the development of the office (FELT), dialogues between scenography and architecture (Job Floris and Caroline Voet) and FELT’s work against the broader tradition of exhibition design (Alice Haddad). A conversation with clients and curators (Anne Bambynek, Sofie De Caigny, Katrien Laporte and Jan Van der Stock) provides insight into FELT’s approach and the landscape of exhibition institutions and venues

Beschrijving

Over the past decade, scenography has been a fundamental part of FELT’s design practice. Understood here as exhibition designs, this type of commission has been a space of particular importance to try out and refine design ideas; where architectural scale meets the levity of smaller-scale design. At about one scenography per year, they have informed the breadth of FELT’s work, ranging from furniture design to representative urban architecture. 

This book features ten scenographies by FELT, evoking their visitor’s experience at the time. Interwoven are reflections on scenography within the development of the office (FELT), dialogues between scenography and architecture (Job Floris and Caroline Voet) and FELT’s work against the broader tradition of exhibition design (Alice Haddad). A conversation with clients and curators (Anne Bambynek, Sofie De Caigny, Katrien Laporte and Jan Van der Stock) provides insight into FELT’s approach and the landscape of exhibition institutions and venues

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